Burton similarly dissolved the boundary between sculpture and furniture, creating seating and table works that function as both usable objects and fine art. His pieces share West's interrogation of utility, bodily engagement, and the postmodern collapse of categorical distinctions between craft and sculpture.

Von Bonin incorporates woven and soft textile materials into three dimensional sculptural works that carry a deliberately playful and irreverent mood, much like West's woven synthetic surfaces. Her practice similarly merges functional or domestic references with a postmodern sculptural sensibility and an emphasis on tactile material presence.

Kelley frequently used soft, textile based materials and ungainly fabricated forms to create sculptures that provoke bodily and psychological responses, paralleling West's interest in the relationship between art objects and the human body. Both artists share a deliberately irreverent, playful aesthetic that subverts expectations of sculptural refinement and conventional utility.