Roth similarly transformed everyday objects and materials through obsessive tactile accumulation, applying organic and provisional substances to utilitarian forms to create works that feel perpetually unfinished and raw. His irreverent dismantling of boundaries between art and everyday life closely mirrors West's gestural overworking of the chair.

Kelley shared West's postmodern absurdist sensibility and his use of found objects and humble materials to challenge the divide between the utilitarian and the artistic. His sculptural installations carry the same provisional rawness and dark humor evident in this plaster encrusted chair piece.

Stockholder incorporates found furniture and everyday objects into sculptural installations that undergo gestural surface transformations with paint and mixed media, directly echoing West's approach of overworking utilitarian objects onto painted platforms. Her work similarly occupies the boundary between sculpture and functional object.