Bonnard was Vuillard's closest artistic companion and fellow Nabi, creating intimate domestic interiors with flattened decorative patterning and muted yet luminous color harmonies that directly parallel the quiet poetry of The Dressmaker. His color lithographs from the same 1890s period share nearly identical formal concerns including cropped compositions and the poetry of everyday bourgeois life.

Vallotton worked extensively in printmaking and shared Vuillard's Nabi circle sensibility, producing intimate interior scenes depicting women engaged in quiet domestic labor with compressed pictorial space and restrained color palettes. His figure studies of domestic interiors from the 1890s carry the same Post-Impressionist decorative flatness seen in The Dressmaker.

Roussel was a core member of the Nabis group alongside Vuillard and contributed works to the same Landscapes and Interiors lithographic portfolio, sharing Vuillard's approach to intimate domestic subjects rendered with soft color harmonies and decorative surface treatment. His interiors with figures reflect the same quiet introspective mood and Post-Impressionist intimacy characteristic of The Dressmaker.