Christopher Wool
‘Each new set of lines is smothered in hazy veils of wiped grey, with further layers sprayed on top, to the point where distinguishing between the various imbrications becomes impossible. The antiheroic notion of mark-unmaking correlates with a conviction lying at the heart of Wool's oeuvre - that linear progress toward artistic mastery is a modernist relic.’ (K. Brinson, ‘Trouble is My Business,’
