Yoan Capote's *Palangre (muro de mar II)* presents an arresting seascape rendered not through conventional brushwork alone, but through thousands of embedded fish hooks and nails that ripple across the linen and wood panel surface, creating a visceral, almost threatening texture. The oil-painted waves take on a haunting psychological weight, as the hooks — tools of longing, survival, and entrapment — transform the familiar imagery of the ocean into a metaphor for the perilous journey and desperate desire to escape that defines the Cuban experience. The result is a work that is simultaneously beautiful and menacing, inviting viewers to look closely while subtly warning them of the dangers that lie beneath the surface.