Wool similarly applies industrial printing and mechanical reproduction processes onto unconventional flat surfaces, exploring the intersection of digital or stenciled imagery with raw material support in a conceptually driven contemporary framework.

Auerbach shares Guyton's interest in digital and mechanical printing processes applied to unexpected substrates, investigating how technology mediates image making and challenges traditional notions of printmaking and surface.

Price works extensively with digital reproduction and industrial processes applied to unconventional materials, echoing Guyton's conceptual approach of using inkjet and printing technologies to interrogate how images are produced and distributed on non traditional surfaces.