Wool similarly engages with mechanical and industrial printing processes on unconventional surfaces, blurring the boundary between commercial reproduction technology and fine art practice in a conceptually driven way.

Walker directly parallels Guyton's approach by using commercial digital inkjet printing processes to transfer imagery onto fabric and canvas, interrogating how digital technologies mediate and transform visual content in contemporary art.

Auerbach shares Guyton's interest in using industrial and digital printing technologies on textile substrates like linen and canvas, producing works that foreground the physical and material qualities of the printing process itself.