Wade Guyton's practice of using Epson UltraChrome inkjet on canvas represents a deliberate engagement with digital printing technologies and industrial processes within fine art contexts. Rather than treating the inkjet printer as merely a reproductive tool, Guyton explores its aesthetic possibilities and material characteristics, often incorporating elements of chance and mechanical variation into his compositions. His work challenges traditional distinctions between painting and printing while raising questions about authorship and the role of technology in contemporary art production.