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Victor Pasmore — Points of Contact No.1, from Transformations (Bowness & Lambertini 21.1)
Victor Pasmore

Points of Contact No.1, from Transformations (Bowness & Lambertini 21.1)

Victor Pasmore's "Points of Contact No. 1" from his Transformations series exemplifies the artist's abstract geometric language through a carefully composed screenprint that combines color with subtle debossing effects. Created in 1970 as an artist's proof from an edition of sixty, the work demonstrates Pasmore's continued exploration of spatial relationships and constructivist principles that defined his practice. The work's square format and sophisticated printing technique, executed by the renowned Kelpra Studio, reflect the refined abstraction and technical precision characteristic of Pasmore's mature period.

Medium
Screenprint in colours with debossing, 1970, initialled and dated in black ballpoint pen, inscribed 'A/P' in blue ballpoint pen, an artist's proof aside from the edition of 60, printed by Kelpra Studio, published by Marlborough Graphics, London, with the printer's inkstamp verso, on wove paper, with full margins, sheet 475 x 475mm (18 3/4 x 18 3/4in) (unframed), Condition, Related Lots, BACK TO AUCTION CATALOGUE, John Hoyland (1934-2011) Untitled, Estimate: £1,500 - 2,000, Ben Nicholson (1894-19

🔨 Auction Lot

Prints & Works on Paper 1500-2026

March 31, 2026

Lot 172

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About this work

Victor Pasmore, Points of Contact No.1, from Transformations (Bowness & Lambertini 21.1)

Victor Pasmore's "Points of Contact No. 1" from his Transformations series exemplifies the artist's abstract geometric language through a carefully composed screenprint that combines color with subtle debossing effects. Created in 1970 as an artist's proof from an edition of sixty, the work demonstrates Pasmore's continued exploration of spatial relationships and constructivist principles that defined his practice. The work's square format and sophisticated printing technique, executed by the renowned Kelpra Studio, reflect the refined abstraction and technical precision characteristic of Pasmore's mature period.

Medium
Screenprint in colours with debossing, 1970, initialled and dated in black ballpoint pen, inscribed 'A/P' in blue ballpoint pen, an artist's proof aside from the edition of 60, printed by Kelpra Studio, published by Marlborough Graphics, London, with the printer's inkstamp verso, on wove paper, with full margins, sheet 475 x 475mm (18 3/4 x 18 3/4in) (unframed), Condition, Related Lots, BACK TO AUCTION CATALOGUE, John Hoyland (1934-2011) Untitled, Estimate: £1,500 - 2,000, Ben Nicholson (1894-19
Seen at
Forum Auctions, London, UK

Related themes

Abstract Art, 20th Century, Contemplative Mood, Minimalist Aesthetic, Mixed Media, British Artist, Constructivism, Geometric Abstraction, Points and lines, Print Series

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