A meticulously layered construction, Ziegler's study combines humble materials — paper, PVA, pencil, plastic, and metal — to explore the tension between organic process and mechanical precision. The work operates as both preparatory investigation and autonomous object, its surfaces bearing the traces of accumulation, erasure, and structural decision-making. Fragmented geometric forms emerge through the interplay of translucent and opaque elements, evoking a cartographic or navigational logic that feels simultaneously precise and uncertain.