Emin shares Lucas's confrontational feminist approach and use of bold, provocative imagery to address themes of sexuality, identity, and vulnerability. Her assemblage based works incorporating found objects and raw personal symbolism closely mirror the unapologetic conceptual language of this piece.

Sherman's conceptually driven figurative work uses bold, often unsettling imagery to challenge constructs of femininity, identity, and the body, paralleling the provocative political commentary embedded in Lucas's assemblage practice. Both artists use darkly humorous and confrontational visual strategies to critique cultural norms.

Smith creates figurative assemblage works that engage directly with the human body, mortality, and political themes, using found and constructed objects in ways that echo Lucas's darkly bold aesthetic. Her willingness to confront taboo subjects through provocative sculptural forms aligns closely with this piece.