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Salvador Dalí — Homme figuier (Fig Man), from Flordali® (Les fruits)
Salvador Dalí

Homme figuier (Fig Man), from Flordali® (Les fruits)

A surrealist master's imagination blooms in this vibrant lithograph, where the human form merges seamlessly with the lush abundance of a fig tree, blurring the boundaries between man and nature. Dalí's signature dreamlike vision is rendered through a rich interplay of color and line, combining the fluid spontaneity of lithography with the precise, tactile depth of drypoint and etching. Printed on fine Rives paper with full margins, this work belongs to the celebrated *Flordali® (Les fruits)* series, in which Dalí transformed botanical subjects into fantastical, anthropomorphic spectacles.

Medium
Lithograph in colors with drypoint and etching, on Rives paper, with full margins,

🔨 Auction Lot

Evening & Day Editions

October 26, 2015

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About this work

Salvador Dalí, Homme figuier (Fig Man), from Flordali® (Les fruits)

A surrealist master's imagination blooms in this vibrant lithograph, where the human form merges seamlessly with the lush abundance of a fig tree, blurring the boundaries between man and nature. Dalí's signature dreamlike vision is rendered through a rich interplay of color and line, combining the fluid spontaneity of lithography with the precise, tactile depth of drypoint and etching. Printed on fine Rives paper with full margins, this work belongs to the celebrated *Flordali® (Les fruits)* series, in which Dalí transformed botanical subjects into fantastical, anthropomorphic spectacles.

Medium
Lithograph in colors with drypoint and etching, on Rives paper, with full margins,
Seen at
Phillips, New York, London, Hong Kong

Related themes

Surrealism, 20th-Century Art, 20th Century, Twentieth Century, Botanical Subject, Nature Motif, Dreamlike Mood, Male Artist, Etching, Modern Art, Master Printmaker, Figurative Art, Botanical Imagery, Spanish Artist, Lithograph, Vibrant Colors, Figurative, Drypoint

More works by Salvador Dalí

Collected by

Hamilton Selway Gallery, Art Institute of Chicago, Alex Capecelatro, Saul Beceiro Novo