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Salvador Dalí — Dalí Painting Gala
Salvador Dalí

Dalí Painting Gala

Salvador Dalí's 'Dalí Painting Gala' exists in multiple formats including 35mm film negatives, positives, and a 360-degree 3D digital video display. This multimedia work documents the artist's creative process and his relationship with his muse Gala.

Medium
35 mm black & white master negative film; 35 mm black & white positive film; 16 mm positive duplicate film; 360 degree color video for 3D digital display
Spotted At
Auction House · Sotheby's

🔨 Auction Lot

Modern Day Auction

May 18, 2022

Estimate: $150,000 – $250,000

Lot 311

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Les Dames de la Renaissance (Ladies of the Renaissance), for Suite mythologique nouvelle (New Mythological Suite)

Les Dames de la Renaissance (Ladies of the Renaissance), for Suite mythologique nouvelle (New Mythological Suite)

Surrealist Gastronomy from Memories of Surrealism

Surrealist Gastronomy from Memories of Surrealism

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Nourrice avec apparition de la statue de la liberté et tête aérodynamique avec soulier et verres

Nourrice avec apparition de la statue de la liberté et tête aérodynamique avec soulier et verres

1935

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Spotted works by Salvador Dalí

✦

Hamilton Selway Gallery

12 spotted

✦

Art Institute of Chicago

3 spotted

✦

Alex Capecelatro

1 spotted

✦

Saul Beceiro Novo

1 spotted

About this work

Salvador Dalí, Dalí Painting Gala

Salvador Dalí's 'Dalí Painting Gala' exists in multiple formats including 35mm film negatives, positives, and a 360-degree 3D digital video display. This multimedia work documents the artist's creative process and his relationship with his muse Gala.

Medium
35 mm black & white master negative film; 35 mm black & white positive film; 16 mm positive duplicate film; 360 degree color video for 3D digital display
Seen at
Sotheby's, New York, London, Hong Kong, Paris

Related themes

Film, Conceptual, Documentary, Mixed Media, Experimental, Performance, Portrait, Spanish, Black and White, Contemporary

More works by Salvador Dalí

Collected by

Hamilton Selway Gallery, Art Institute of Chicago, Alex Capecelatro, Saul Beceiro Novo