
Mezzotint in Crimson
A striking example of Motherwell's mastery of abstract expressionism, this mezzotint in deep crimson showcases his characteristic interplay of bold, gestural forms and rich, velvety tonal depth. The mezzotint medium lends itself beautifully to Motherwell's exploration of emotional intensity, producing a luminous, painterly quality unique to this intaglio process. This rare impression, numbered 7/9 with one artist's proof in existence, was published by the prestigious Universal Limited Art Editions in West Islip, New York, and bears their blindstamp as a mark of its distinguished provenance.
- Medium
- Signed and numbered 7/9 in pencil (there was also 1 artist's proof), published by Universal Limited Art Editions, West Islip, New York (with their blindstamp), framed.
- Location
- Phillips, Salt Lake City, UT
- Spotted At
- Auction House · PhillipsView on map
🔨 Auction Lot
Editions & Works on Paper
October 17, 2017
More by Robert Motherwell
Spotted works by Robert Motherwell
Artists in conversation

Franz Kline
American · b. 1910

Kline's abstract expressionist works share Motherwell's bold gestural forms and high contrast compositions, often working with stark blacks against rich grounds that create a similarly somber and emotionally charged mood. His printmaking explorations also demonstrate the same commitment to raw, expressive mark making seen in this crimson mezzotint.

Mark Rothko
American · b. 1903

Rothko's deep crimson and black color field paintings resonate strongly with this mezzotint's luminous velvety tonal depth and emotional intensity, sharing Motherwell's focus on color as a vehicle for profound psychological and somber feeling. Both artists were central figures in American abstract expressionism working with rich saturated reds and blacks to evoke meditative states.

Sam Francis
American · b. 1923

Francis worked extensively with ULAE as a publisher and created gestural abstract prints with the same rich painterly qualities and luminous depth found in this mezzotint, making him a direct parallel in both technique and institutional context. His bold abstract compositions share Motherwell's expressive use of saturated color and gestural abstraction within the limited edition printmaking tradition.

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