This monumental etching and drypoint from 1651 demonstrates Rembrandt's mastery of printmaking through its dramatic chiaroscuro and complex narrative scene depicting the biblical moment when Tobit loses his sight. The composition is populated with multiple figures and rich architectural details rendered with varied line work, showcasing the artist's technical virtuosity in manipulating both etching and drypoint techniques. The print exemplifies Rembrandt's ability to infuse religious narrative with profound human emotion and intimate domestic drama on an ambitious scale.