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Pablo Picasso — Visage de faune (Faun's Face)
Pablo Picasso

Visage de faune (Faun's Face)

Created in collaboration with master silversmith François Victor Hugo, this remarkable work exemplifies Picasso's lifelong commitment to exploring new artistic mediums beyond the canvas. Cast in precious metal through an intricate process of heating and hammering into a specially crafted wax matrix, this piece belongs to a limited edition of only 15 to 20 examples, reflecting the extraordinary craftsmanship required in its fabrication. The work stands as a testament to Picasso's enduring dialogue between modern artistic vision and the traditions of precious metalwork dating back to 16th and 17th century European silversmiths.

Medium
Picasso was already years into his exploration of ceramic objects when he had an inspired discussion with a friend in the mid-1950s about these ceramics and how they related to precious metal plates by artists in the 16th and 17th century in Venice, France and Augsburg. This led to an introduction to the accomplished silversmith François Victor Hugo, who Picasso commissioned to create a series of platters, dishes and medallions in gold and silver after original designs by Picasso. The artist explored the process for years, eventually creating several plate versions in small editions of 15 to 20 examples each due to the painstaking process of fabrication. The metal had to be heated and reheated while being hammered into a wax matrix, specifically created for each design. Picasso was encouraged by the results and continued to make other medallions and objects in collaboration with the Hugo studio including with François' son Pierre.

🔨 Auction Lot

Evening & Day Editions

October 26, 2015

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About this work

Pablo Picasso, Visage de faune (Faun's Face)

Created in collaboration with master silversmith François Victor Hugo, this remarkable work exemplifies Picasso's lifelong commitment to exploring new artistic mediums beyond the canvas. Cast in precious metal through an intricate process of heating and hammering into a specially crafted wax matrix, this piece belongs to a limited edition of only 15 to 20 examples, reflecting the extraordinary craftsmanship required in its fabrication. The work stands as a testament to Picasso's enduring dialogue between modern artistic vision and the traditions of precious metalwork dating back to 16th and 17th century European silversmiths.

Medium
Picasso was already years into his exploration of ceramic objects when he had an inspired discussion with a friend in the mid-1950s about these ceramics and how they related to precious metal plates by artists in the 16th and 17th century in Venice, France and Augsburg. This led to an introduction to the accomplished silversmith François Victor Hugo, who Picasso commissioned to create a series of platters, dishes and medallions in gold and silver after original designs by Picasso. The artist explored the process for years, eventually creating several plate versions in small editions of 15 to 20 examples each due to the painstaking process of fabrication. The metal had to be heated and reheated while being hammered into a wax matrix, specifically created for each design. Picasso was encouraged by the results and continued to make other medallions and objects in collaboration with the Hugo studio including with François' son Pierre.
Seen at
Phillips, New York, London, Hong Kong

Related themes

20th Century, Collaborative Work, Mythological Subject, Male Artist, Modernist, Metalwork, Decorative Arts, Silver And Gold, Circular Format, Figurative Art, Modernism, Limited Edition, Silverwork, Metallic Tones, Spanish Artist, Relief Sculpture, Master Artist

More works by Pablo Picasso

Collected by

Sebastián In Situ, Richard Caswell, Cleveland Museum of Art, Art Institute of Chicago, Sebastián Naranjo, Alex Capecelatro, Saul Beceiro Novo