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Pablo Picasso — Vase aztèque aux quatre visages (Alan Ramié 402)
Pablo Picasso

Vase aztèque aux quatre visages (Alan Ramié 402)

1957

This ceramic vase by Pablo Picasso, created during his prolific period of pottery work in the 1950s, features four distinctive faces arranged around its cylindrical form, reflecting his fascination with both Pre-Columbian art and Cubist fragmentation. The work demonstrates Picasso's characteristic approach to ceramic decoration, combining bold linear features with simplified geometric forms that echo Aztec sculptural traditions while maintaining his modernist aesthetic. The piece exemplifies how Picasso synthesized ancient artistic traditions with contemporary abstraction, a recurring theme in his extensive body of ceramic works produced at the Madoura pottery workshop in Vallauris.

🔨 Auction Lot

Modern Discoveries

February 19, 2025

Estimate: $100,000$120,000

Lot 227

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About this work

Pablo Picasso, Vase aztèque aux quatre visages (Alan Ramié 402), 1957

This ceramic vase by Pablo Picasso, created during his prolific period of pottery work in the 1950s, features four distinctive faces arranged around its cylindrical form, reflecting his fascination with both Pre-Columbian art and Cubist fragmentation. The work demonstrates Picasso's characteristic approach to ceramic decoration, combining bold linear features with simplified geometric forms that echo Aztec sculptural traditions while maintaining his modernist aesthetic. The piece exemplifies how Picasso synthesized ancient artistic traditions with contemporary abstraction, a recurring theme in his extensive body of ceramic works produced at the Madoura pottery workshop in Vallauris.

Year
1957
Seen at
Sotheby's, New York, London, Hong Kong, Paris

Related themes

Sculptural Vessel, 20th Century, Cubism, Archaeological motif, Aztec-inspired faces, Geometric Abstraction, Primitive art influence, Spanish Artist, Expressive Portraiture, Ceramic

More works by Pablo Picasso

Collected by

Sebastián In Situ, Richard Caswell, Cleveland Museum of Art, Art Institute of Chicago, Sebastián Naranjo, Alex Capecelatro, Saul Beceiro Novo