Hirst's spot paintings similarly transform systematic color arrangements into bold screenprints and multiples, exploring color relationships through repetitive geometric blocks with a Pop Art sensibility and conceptual framework rooted in British contemporary art.

Guyton similarly uses digital and print processes to create works where color fields and pixelated rectangular blocks become the primary visual language, investigating how mechanical reproduction transforms source imagery into abstracted geometric compositions.

Richter's colour chart paintings and prints directly parallel this work's systematic arrangement of rectangular colour swatches across a grid, sharing the same conceptual strategy of elevating mundane colour reference tools into fine art objects with vibrant geometric precision.