Mark Bradford's large-scale work constructs a richly layered topography from scorched permanent wave end papers and blonde hair dye, materials sourced from the beauty salon culture of his South Los Angeles upbringing. The accumulated and burned papers create a dense, cartographic surface that evokes the geological strata of urban landscapes, where histories accumulate and are simultaneously obscured. Like an archaeologist of the everyday, Bradford transforms the discarded remnants of Black beauty culture into an abstract meditation on place, memory, and the sedimentary nature of city life.