A white cast porcelain form with sharp, angular peaks sits atop a black rectangular plinth, creating a striking contrast between the ethereal, crumpled geometry of the ceramic and the austere simplicity of the support. The porcelain sculpture suggests both organic abstraction and architectural tension, its folded surfaces catching light to reveal subtle modeling and surface variation. Larner's work operates at the intersection of minimalism and expressionism, where industrial materials and craft processes generate unexpected formal relationships. The pairing of delicate porcelain with industrial support structures reflects broader late twentieth century concerns with materiality, scale, and the dialogue between sculpture and its pedestal.