Hrvoje Slovenc's self-titled chromogenic print triptych presents a striking exploration of identity and self-representation through the rich, saturated tones characteristic of the chromogenic process. The flush-mounted format lends the work a sleek, seamless quality, allowing the three panels to function both as individual images and as a unified visual statement. The triptych structure invites viewers to consider fragmentation and continuity, reflecting on how identity can be simultaneously singular and multiple.