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Georges Braque — Varengeville: seven impressions
Georges Braque

Varengeville: seven impressions

Created by the pioneering Cubist master Georges Braque, *Varengeville: Seven Impressions* is a suite of prints that draws inspiration from the Normandy coastal village where the artist spent much of his later life. This rare set comprises six sequentially numbered state proofs and a "bon à tirer" (good-to-print) proof — the definitive reference impression approved by the artist — bearing his initials and annotation in pencil. Printed by the prestigious Atelier Crommelynck and published by Maeght in Paris in an edition of 300, the suite represents an intimate record of Braque's printmaking process and his enduring connection to the landscape of Varengeville.

Medium
Six numbered sequentially in Roman numerals on the reverse, and one signed with initials and annotated 'H.C. Bon à tirer' in pencil' (six state proofs and the good-to-print proof impression, before the edition of 300), printed by Atelier Crommelynck (with their blindstamp on the H.C.) and published by Maeght, Paris, all unframed.

🔨 Auction Lot

Editions and Works on Paper Including Works from the Piero Crommelynck Collection

April 18, 2017

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About this work

Georges Braque, Varengeville: seven impressions

Created by the pioneering Cubist master Georges Braque, *Varengeville: Seven Impressions* is a suite of prints that draws inspiration from the Normandy coastal village where the artist spent much of his later life. This rare set comprises six sequentially numbered state proofs and a "bon à tirer" (good-to-print) proof — the definitive reference impression approved by the artist — bearing his initials and annotation in pencil. Printed by the prestigious Atelier Crommelynck and published by Maeght in Paris in an edition of 300, the suite represents an intimate record of Braque's printmaking process and his enduring connection to the landscape of Varengeville.

Medium
Six numbered sequentially in Roman numerals on the reverse, and one signed with initials and annotated 'H.C. Bon à tirer' in pencil' (six state proofs and the good-to-print proof impression, before the edition of 300), printed by Atelier Crommelynck (with their blindstamp on the H.C.) and published by Maeght, Paris, all unframed.
Seen at
Phillips, New York, London, Hong Kong

Related themes

Series Work, Abstract Art, 20th Century, Contemplative Mood, Cubism, Muted Palette, Male Artist, Printmaking, French Artist, Limited Edition, Modern Master, Lithograph

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