A bold and gestural painting rendered in polymer acrylic on canvas, Gavin Turk's *The Black Saint and the Sinner Lady* channels the raw energy of abstract expressionism while engaging with questions of authorship and artistic identity. The work's title, borrowed from Charles Mingus's landmark 1963 jazz album, suggests a tension between the sacred and transgressive, the disciplined and the unrestrained. Turk's layered brushwork invites reflection on authenticity and the performative nature of painting itself.