Man Ray shared Picabia's Dadaist sensibility and experimented with layered, semi-transparent forms in works on paper that dissolve the boundary between figuration and abstraction. His gestural ink and charcoal drawings echo the ethereal, experimental quality of Transparence.

Arp created biomorphic abstract compositions with a similarly ethereal and layered quality, rooted in the Dada movement that Picabia helped define. His works on paper share the monochromatic, gestural character and fluid overlapping forms visible in Transparence.

Schwitters worked within the Dada tradition to create experimental compositions that layer fragile, translucent visual elements with ink and charcoal on paper. His abstract works share the semi-transparent, ghostly formal quality and monochromatic experimental approach found in Transparence.