This etching presents a bold composition of stark black forms against cream colored paper, with irregular white voids cutting through the dark mass creating a sense of spatial tension and visual intrigue. The work demonstrates Chillida's characteristic exploration of void and solid, a fundamental concern throughout his artistic practice as a sculptor and printmaker. The irregular, organic boundaries of the black shape, combined with the handwritten notations and numbering visible on the paper, emphasize the work's status as a unique printed object. Executed on Segundo Santos paper, the piece exemplifies the artist's refined approach to printmaking as a vehicle for his spatial investigations. Chillida's abstract vocabulary here reflects the Modernist tradition while maintaining his distinctive voice in exploring the relationship between presence and absence.