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Allan McCollum — Shape #11
Allan McCollum

Shape #11

2006

Shape #11, a striking work from Allan McCollum's seminal series, presents a compelling study in form and material. Crafted from laminated birch plywood, the sculpture exhibits a fluid, undulating silhouette that defies easy categorization. Its light, natural wood grain is accentuated by the visible layers of lamination, a testament to its meticulous construction and the inherent beauty of the material. The object’s distinct curves and swells create a dynamic interplay of light and shadow, inviting viewers to contemplate its volumetric presence from multiple angles. This particular piece, with its unique organic contours, stands as a testament to the artist's enduring fascination with the sculptural potential of everyday materials and the subtle complexities of fabricated forms. McCollum's 'Shapes' series, initiated in 1988, represents a significant exploration of originality and repetition within contemporary art. Each 'Shape' in the series is generated through a highly systematic process, where the artist traces the outlines of various found objects and then combines these tracings to produce entirely new, distinct forms. Consequently, while 'Shape #11' possesses its own unique identity, it simultaneously exists as one iteration within a vast, interconnected family of forms. This methodology deliberately challenges traditional notions of the singular, handcrafted masterpiece, instead highlighting the processes of production, difference, and the cumulative effect of seriality. The work prompts a re-evaluation of how meaning is derived from an object, shifting focus from individual authorship to the underlying system that governs its creation. The profound conceptual rigor embedded in 'Shape #11' makes it a distinguished acquisition for any discerning collection. It not only showcases McCollum's mastery of material and form but also embodies his critical inquiry into the very nature of art objects and their cultural circulation. Owning a piece from the 'Shapes' series offers an opportunity to engage directly with a pivotal body of work that has influenced generations of artists and theorists. This elegant sculpture, both visually engaging and intellectually stimulating, serves as a powerful reminder of how artistic systems can generate endless variations, each carrying its own unique aesthetic and conceptual weight.

Medium
Laminated birch plywood
Location
Wright, Chicago, United States

🔨 Auction Lot

Wright: 20|21 Art: The Chicago Edition (July 2022)

July 14, 2022

Estimate: $5,000 to $7,000

Lot 251

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About this work

Allan McCollum, Shape #11, 2006

Shape #11, a striking work from Allan McCollum's seminal series, presents a compelling study in form and material. Crafted from laminated birch plywood, the sculpture exhibits a fluid, undulating silhouette that defies easy categorization. Its light, natural wood grain is accentuated by the visible layers of lamination, a testament to its meticulous construction and the inherent beauty of the material. The object’s distinct curves and swells create a dynamic interplay of light and shadow, inviting viewers to contemplate its volumetric presence from multiple angles. This particular piece, with its unique organic contours, stands as a testament to the artist's enduring fascination with the sculptural potential of everyday materials and the subtle complexities of fabricated forms. McCollum's 'Shapes' series, initiated in 1988, represents a significant exploration of originality and repetition within contemporary art. Each 'Shape' in the series is generated through a highly systematic process, where the artist traces the outlines of various found objects and then combines these tracings to produce entirely new, distinct forms. Consequently, while 'Shape #11' possesses its own unique identity, it simultaneously exists as one iteration within a vast, interconnected family of forms. This methodology deliberately challenges traditional notions of the singular, handcrafted masterpiece, instead highlighting the processes of production, difference, and the cumulative effect of seriality. The work prompts a re-evaluation of how meaning is derived from an object, shifting focus from individual authorship to the underlying system that governs its creation. The profound conceptual rigor embedded in 'Shape #11' makes it a distinguished acquisition for any discerning collection. It not only showcases McCollum's mastery of material and form but also embodies his critical inquiry into the very nature of art objects and their cultural circulation. Owning a piece from the 'Shapes' series offers an opportunity to engage directly with a pivotal body of work that has influenced generations of artists and theorists. This elegant sculpture, both visually engaging and intellectually stimulating, serves as a powerful reminder of how artistic systems can generate endless variations, each carrying its own unique aesthetic and conceptual weight.

Medium
Laminated birch plywood
Year
2006
Seen at
Wright, Chicago, United States

Related themes

Three Dimensional, Conceptual, Post Conceptual, Minimalist, Male Artist, Found Object, Sculpture, Organic Shape, Fabricated Form, Repetition And Difference, Geometric Form, Systematic Process, Wood Sculpture, American Artist, Serial Art, Natural Wood, Wall Sculpture, Plywood, Neutral Tones, Abstract, Contemporary

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