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Albrecht Dürer — Interlaced Cord Patterns (b. 140, 142-143, 145; M. 274, 276-277, 279)
Albrecht Dürer

Interlaced Cord Patterns (b. 140, 142-143, 145; M. 274, 276-277, 279)

Created during Dürer's second Italian journey, these four intricate woodcuts showcase the German master's fascination with decorative design and mathematical complexity, featuring elaborately interlaced rope-like patterns arranged in circular and geometric formations. Inspired by Leonardo da Vinci's knot designs, Dürer demonstrates his extraordinary technical virtuosity in translating the fluid over-and-under weaving of the cords into the demanding medium of woodcut. The impressions range from Meder I lifetime to Meder IIa quality, printed on period papers including examples bearing an E in a Circle and a Crowned Double-Headed Eagle watermark, attesting to their early and distinguished provenance.

Medium
Four woodcuts, circa 1506-07, all very good impressions though printing slightly unevenly as is characteristic of these prints, B. 140, a Meder IIa impression, on paper with an E in a Circle watermark (M. 295); with B. 142, a Meder IIa-b impression; with B. 143, a Meder IIa impression, on paper with a Crowned Double-Headed Eagle watermark (M.227); and B. 145, a Meder I (lifetime) impression, each framed

🔨 Auction Lot

Prints & Multiples

March 19, 2020

Estimate: $12,000$18,000

Lot 30

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Spotted works by Albrecht Dürer

About this work

Albrecht Dürer, Interlaced Cord Patterns (b. 140, 142-143, 145; M. 274, 276-277, 279)

Created during Dürer's second Italian journey, these four intricate woodcuts showcase the German master's fascination with decorative design and mathematical complexity, featuring elaborately interlaced rope-like patterns arranged in circular and geometric formations. Inspired by Leonardo da Vinci's knot designs, Dürer demonstrates his extraordinary technical virtuosity in translating the fluid over-and-under weaving of the cords into the demanding medium of woodcut. The impressions range from Meder I lifetime to Meder IIa quality, printed on period papers including examples bearing an E in a Circle and a Crowned Double-Headed Eagle watermark, attesting to their early and distinguished provenance.

Medium
Four woodcuts, circa 1506-07, all very good impressions though printing slightly unevenly as is characteristic of these prints, B. 140, a Meder IIa impression, on paper with an E in a Circle watermark (M. 295); with B. 142, a Meder IIa-b impression; with B. 143, a Meder IIa impression, on paper with a Crowned Double-Headed Eagle watermark (M.227); and B. 145, a Meder I (lifetime) impression, each framed
Seen at
Sotheby's, New York, London, Hong Kong, Paris

Related themes

Print, Geometric, Pattern Design, Decorative, Woodcut, German, Abstract, Technical, Black and White, Renaissance

More works by Albrecht Dürer

Collected by

Art Institute of Chicago