A darkened hotel room becomes a canvas in Abelardo Morell's striking gelatin silver print, where the iconic Eiffel Tower is projected upside down onto the interior walls and furnishings through a small pinhole acting as a natural lens. Morell's signature camera obscura technique transforms the mundane domestic space into a dreamlike collision of interior and exterior worlds, blurring the boundary between inside and outside. The resulting black-and-white image carries an otherworldly, almost ghostly quality, inviting viewers to reconsider their perception of both the legendary Parisian landmark and the intimate space it inhabits.