Levine is a foundational appropriation artist who directly rephotographed and reproduced canonical modernist works, engaging in the same postmodern dialogue about authorship and originality that defines Pettibone's miniature reproduction of Mondrian. Both artists challenge the uniqueness of the art object by meticulously replicating revered masterworks.

Bidlo creates painstakingly hand painted reproductions of iconic works by artists like Picasso and Leger, sharing Pettibone's practice of faithful manual replication as a conceptual and postmodern artistic strategy. His work similarly interrogates ideas of originality, homage, and the status of canonical modernist paintings.

Sturtevant was a pioneer of appropriation art who hand reproduced works by major artists including Warhol and Duchamp, directly paralleling Pettibone's practice of recreating iconic modernist compositions to interrogate authorship and originality. Her work shares the same conceptual framework of the faithful yet transformative copy as artwork.