Warhol similarly used repeated imagery and mechanical reproduction in prints like his stamp series and grid compositions, exploring seriality and the flattening of iconic images through printmaking techniques that closely mirror Celmins's approach in Saturn Stamps.

Ruscha shares Celmins's interest in conceptual printmaking and the deadpan reproduction of mundane or found imagery, often using offset lithography to present repeated or catalogued subjects with a cool, detached minimalist sensibility.

Bochner's conceptual prints frequently investigate repetition, measurement, and the systematic arrangement of elements across a sheet, aligning closely with the conceptual and minimalist strategies Celmins employs in organizing repeated stamp imagery through printmaking.