Goldin's chromogenic photographic work similarly explores identity and constructed selfhood through staged and documentary imagery, often presented in sequential or paired formats that create narrative dialogue between frames.

Morimura's conceptual photography practice directly engages with self portraiture and identity construction through staged chromogenic prints, sharing Sherman's postmodern interrogation of persona and the performative self.

Simmons creates conceptual American photography from the same postmodern era that uses staged constructed imagery to examine identity and femininity, with a similarly precise and deliberate approach to framing and presentation.