Franz Gertsch's "Cima Del Mar (Top of the Sea)" exemplifies the Swiss artist's mastery of large-scale woodcut, a technique he revived and elevated to monumental proportions during the late twentieth century. The work, printed in blue on traditional Heizaburo Japan paper and presented with full margins, demonstrates Gertsch's characteristic precision and his ability to capture luminous atmospheric effects through the restraint of a single color. Published in Parkett 28, this print reflects Gertsch's ongoing dialogue between photographic realism and the expressive potential of the woodblock medium, creating an image that bridges representation and abstraction.