Tinguely shared Arman's Neo-Dada sensibility and passion for assembling discarded industrial and mechanical found objects into monumental sculptural compositions that comment on modern consumer society and the relentless accumulation of material culture.

Kienholz constructed dense assemblage environments from accumulated everyday and discarded objects, creating works with strong archaeological and historical resonance that transform cast-off materiality into monumental cultural commentary much like this specific piece does.

Nevelson built large scale monumental assemblage sculptures by compiling found wooden objects and fragments into architecturally structured compositions that evoke ancient and archaeological grandeur through accumulated everyday materials in a manner directly comparable to Arman's approach here.