Spoerri pioneered assemblage art through his 'snare pictures' which trap and display collections of everyday found objects on surfaces, sharing Arman's core commitment to accumulation and the conceptual elevation of mundane items into sculptural meaning.

Chamberlain assembled discarded industrial and everyday materials into sculptural works that mirror Arman's mixed media assemblage approach, transforming found objects into abstract compositions that carry both conceptual weight and strong visual presence.

Nevelson created large scale sculptural assemblages by collecting and organizing found wooden objects into unified abstract compositions, closely paralleling Arman's method of accumulating everyday objects to generate layered conceptual and aesthetic meaning.