Prince's appropriation of advertising and consumer imagery, particularly his rephotographed car hoods and commercial imagery, directly parallels Walker's interrogation of image circulation and the collapse between original and copy within consumer culture.

Guyton's digitally manipulated, inkjet printed works share Walker's cool detached mood and post internet sensibility, both artists using mechanical reproduction and digital processes to destabilize the authenticity of images and objects.

Meckseper's work similarly fuses Pop Art influences with sharp consumerism critique, deploying mirrored surfaces, automotive imagery, and commodity display to expose the seductive logic of consumer capitalism in a conceptually rigorous way.