Composed of two parts, this meticulously constructed work by Gabriel de la Mora features layers of acrylic paint on masonite, transforming the physical accumulation of material into a meditation on time and process. The framing elements become integral to the piece itself, blurring the boundary between container and content. De la Mora's precise, systematic approach reveals an archaeological fascination with what lies beneath the surface, treating paint not as a medium for image-making but as a subject in its own right.