In this work by Abraham Cruzvillegas, the title's layered references to music theory, misunderstanding, and appropriation suggest a characteristically playful interrogation of cultural borrowing and creative misreading. True to the artist's broader practice of *autoconstrucción* — building from whatever materials are at hand — the piece likely embraces improvisation and chance as both method and meaning. The word "confused" embedded in the title implies an embrace of error as a generative force, inviting viewers to question notions of authenticity and originality.