Koons similarly elevates banal consumer objects and toys into sculptural artworks, exploring commodity culture and consumerism with a playful yet critical lens. His use of everyday objects like inflatable toys and commercial kitsch directly parallels Steinbach's arrangement of rubber dog chews and a Hulk bust on a display shelf.

McCollum's practice engages deeply with mass produced objects and institutional display strategies, presenting everyday items in ways that interrogate value and authenticity. Like Steinbach, he uses the logic of collection and arrangement to critique how consumer culture assigns meaning to objects.

Fleury creates assemblages and installations that incorporate consumer goods and pop culture objects to critique commodity fetishism and mass market desire. Her work shares Steinbach's postmodern sensibility of presenting found consumer items as sculptural objects imbued with cultural commentary.