A towering assemblage of industrial and synthetic materials, Ruby's work stacks and fuses PVC pipe, Formica, urethane, and spray paint into a crude, stalagmite-like formation that rises with raw, visceral energy. The piece draws on the visual language of urban detritus and underground subcultures, collapsing distinctions between sculpture, graffiti, and found-object construction. Its dual title—referencing both geological formations and the psychological term for arousal through imagery—suggests a tension between the abject and the seductive embedded within the work's imposing physical presence.