The blue and red variant of 'Positive Space/Negative Space' shifts the emotional register of the shared Fairey-Invader framework considerably, with the cooler blue ground creating a more contemplative and politically resonant atmosphere compared to its red-cream counterpart. Silkscreened tiles on wood again serve as the medium, ensuring the physical texture of Invader's mosaic world is embedded into the very surface of Fairey's graphic universe. Blue holds layered significance across both artists' practices — from Fairey's iconic blue-and-red Obama 'Hope' poster to the cool digital tones associated with early video game screens — making the palette choice feel charged with cultural memory. The red accents within the blue field echo Fairey's characteristic use of accent color to direct the eye and amplify urgency, functioning almost like a call to action embedded in an otherwise meditative surface. As a pair with the Large Red/Cream edition, this work invites viewers to consider how color alone can transform the psychological and political meaning of an identical compositional structure.