Invader
105
Works
2
Followers
Artist Spotlight
Invader Turns Every City Into Art
Sometime in the past year, a handful of devoted art world insiders gathered their phones, activated the Flash Invaders app, and set off through the streets of Paris, Tokyo, Los Angeles, and beyond on a mission that felt equal parts treasure hunt and pilgrimage. They were tracking the ceramic tile mosaics of the artist known simply as Invader, scanning works to earn points in a real world game that has quietly become one of the most beloved participatory art projects of our era. With major institutional attention continuing to grow, a string of significant new works appearing in 2024 and 2025,… Continue reading
Collectors
Also spotted by
Artists in conversation
Shepard Fairey
Fairey similarly uses bold graphic imagery and repetitive iconography deployed across urban surfaces worldwide as a form of visual occupation of public space. Both artists treat the city as a canvas for systematic, recognizable interventions rooted in pop culture.
JR
JR is a fellow French street artist who conducts large scale unauthorized interventions across cities on every continent, echoing Invader's concept of systematically cataloguing and mapping his own urban installations. Both treat street art as a global project with documentary and conceptual dimensions.
Banksy
Banksy shares Invader's commitment to anonymous urban intervention using a distinctive repeatable style that blends humor, pop culture references, and subversive placement in public spaces worldwide. Both artists have also successfully bridged the street art and fine art gallery worlds.
Artists who inspired them
Andy Warhol
Warhol's embrace of popular consumer culture and mass reproduction as legitimate fine art subject matter directly informs Invader's elevation of low resolution video game imagery into serious artistic practice. The seriality and repetition central to Warhol's silk screens also echoes Invader's systematic city by city invasion methodology.
Keith Haring
Haring pioneered the use of simple bold graphic figures deployed illegally across New York's public spaces in a systematic and prolific way, establishing a model of street based iconography that Invader closely follows. His playful cartoon derived imagery and the democratization of art through public placement were formative precedents for Invader's approach.
Jean-Michel Basquiat
Basquiat demonstrated that work originating on the streets of a city could ascend to the highest levels of the international art market without abandoning its urban roots, a trajectory Invader has replicated. His fusion of pop culture references with a personal visual language also parallels Invader's blending of gaming iconography with urban intervention.