Positive Space/Negative Space (Cream/Red) is a conceptually rigorous collaboration between Shepard Fairey and Invader that uses the tension between figure and ground as both its formal and philosophical subject, rendered in the distinctive hybrid medium of silkscreened tiles on wood. Fairey's background in graphic design and printmaking makes silkscreening a natural choice, bringing his characteristic bold, high-contrast aesthetic to a surface that is fundamentally Invader's domain — the tile — creating a productive friction between print culture and architectural installation. The cream and red colour palette is loaded with meaning: red has been central to Fairey's visual vocabulary since the OBEY Giant campaign, connoting urgency, revolution, and visibility, while cream introduces a softness and ambiguity that complicates the work's apparent assertiveness. The positive/negative duality encoded in the title invites readings about perception, identity, and the relationship between subject and context — questions that both artists have explored throughout their careers, with Invader embedding hidden images into urban environments and Fairey designing imagery that shifts meaning depending on the viewer's cultural vantage point. Mounted on wood, the work retains a handcrafted, tactile warmth that anchors its conceptual sophistication in material reality, bridging the gap between the street, the studio, and the gallery.