




Quarry
Quarry, a 1968 offset lithograph by Robert Rauschenberg, exemplifies the artist's signature approach to deconstructing visual hierarchy and challenging conventional representation. The composition layers photographic imagery with gestural mark-making, creating a dense, palimpsestic surface that demands sustained looking. Rauschenberg's characteristic technique of combining found images, fragmentary forms, and areas of painterly abstraction produces a work that resists singular interpretation while inviting multiple entry points for the viewer's eye. The interplay between recognizable photographic elements and gestural passages creates an energy that speaks to Rauschenberg's enduring influence on contemporary visual culture and his role in bridging the gap between abstract expressionism and pop sensibility. This significant edition work, published in an edition of 500, demonstrates Rauschenberg's commitment to expanding the reach of his artistic vision through printmaking. At its substantial dimensions of approximately 41 1/2 by 33 inches, Quarry commands presence while remaining intimate enough for sustained contemplation. The work remains unsigned, consistent with many of Rauschenberg's conceptual choices regarding authorship and artistic intention. For collectors seeking a major statement from one of the postwar period's most innovative and prolific artists, this print represents both an accessible entry point into Rauschenberg's multifaceted practice and a worthy addition to established collections.
- Medium
- Robert Rauschenberg, Quarry, 1968, Unsigned, Offset lithograph in colors, Edition 500, 41 1/2" x 33" Framed Size, 35 1/2" x 26 1/2" Sheet Size
- Spotted At
- Gallery · Georgetown Frame Shoppe
For Sale — $1795
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Jasper Johns
American · b. 1930

Johns similarly layers photographic imagery, stenciled text, and gestural painterly marks in his lithographs and prints, creating dense palimpsestic surfaces that resist singular reading and blur boundaries between abstraction and representation.

James Rosenquist
American · b. 1933

Rosenquist's large format lithographs from the same late 1960s period combine fragmented photographic and commercial imagery with painterly passages, producing compositions of colliding visual hierarchies that closely parallel Rauschenberg's approach in Quarry.

Eduardo Paolozzi
British · b. 1924

Paolozzi's screenprints and offset lithographs from the same era layer found photographic fragments, gestural marks, and cultural detritus into dense collaged surfaces that share Quarry's deconstructed visual hierarchy and resistance to fixed interpretation.

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