This chromogenic print by Richard Prince features the artist's own reflective statement about his iconic appropriation of Marlboro cigarette advertisements, presented as the work itself. Prince's text candidly reveals his psychological relationship with the appropriated cowboy imagery, describing a process of weekly "claiming" that blurred the line between his authorship and the original source material. The admission that he once denied the images' origins, paired with his dismissal of commodification as a concern, transforms the artist's confession into a meditation on ownership, authorship, and the nature of appropriation in contemporary art.