Four densely rendered ink drawings on paper by Oscar de las Flores interweave Catholic iconography, corporate mythology, and cartel culture into a darkly satirical visual narrative. The works oscillate between devotional imagery and profane power structures, implicating narco capitalism, patriarchal lineage, and colonial commerce within a single sardonic breath. De las Flores deploys meticulous linework with theatrical, almost baroque intensity, evoking both the reverence of religious illustration and the grotesque theater of masculine authority.