Binh Danh uses chlorophyll printing to embed photographic images directly into plant leaves, similarly incorporating natural materials into the photographic process so that nature physically becomes part of the image itself. Like Brandt, his work dissolves the boundary between landscape subject and material substance, creating haunting and organically altered photographs.

Chris McCaw uses extended solar exposures that literally burn and scorch his photographic paper, allowing natural forces and site specific conditions to physically transform the photographic surface in unpredictable ways. His experimental process based landscape photography shares Brandt's commitment to letting environmental phenomena materially alter and abstract the image.

Hiroshi Sugimoto's long exposure seascape photographs reduce landscape to meditative, muted abstractions that blur representation and material surface, echoing the haunting visual quality of Brandt's water altered prints. Both artists use photographic processes to push landscape imagery toward conceptual and atmospheric abstraction rooted in natural phenomena.