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Joan Miró — Les brisants (The Breakers): two impressions
Joan Miró

Les brisants (The Breakers): two impressions

These two rare working proofs of Joan Miró's *Les brisants (The Breakers)* offer an intimate glimpse into the artist's printmaking process, predating the final edition of 65 and 10 Roman numeral impressions. One proof, dated 29 May 1957 and marked "II," bears Miró's own hand-enhanced color crayon additions, as noted by master printer Piero Crommelynck, while the second is designated as a unique book specimen proof. Printed by the distinguished Parisian workshop Crommelynck et Dutrou and published by Guy Lévis Mano, these exceptional impressions stand as testament to the collaborative dialogue between artist and printer in mid-twentieth-century French printmaking.

Medium
One dated '29/5/57' and 'II' by Miró in pencil, and also annotated 'rehaussée crayon couleur JM' (enhanced with color crayon) by Piero Crommelynck in pencil, and one annotated 'specimen livre' (book specimen) and 'épreuve unique' (unique proof) by Piero Crommelynck in pencil (both working proofs, before the edition of 65 and 10 in Roman numerals), printed by Crommelynck et Dutrou and published by Guy Lévis Mano, Paris, both unframed.

🔨 Auction Lot

Editions and Works on Paper Including Works from the Piero Crommelynck Collection

April 18, 2017

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About this work

Joan Miró, Les brisants (The Breakers): two impressions

These two rare working proofs of Joan Miró's *Les brisants (The Breakers)* offer an intimate glimpse into the artist's printmaking process, predating the final edition of 65 and 10 Roman numeral impressions. One proof, dated 29 May 1957 and marked "II," bears Miró's own hand-enhanced color crayon additions, as noted by master printer Piero Crommelynck, while the second is designated as a unique book specimen proof. Printed by the distinguished Parisian workshop Crommelynck et Dutrou and published by Guy Lévis Mano, these exceptional impressions stand as testament to the collaborative dialogue between artist and printer in mid-twentieth-century French printmaking.

Medium
One dated '29/5/57' and 'II' by Miró in pencil, and also annotated 'rehaussée crayon couleur JM' (enhanced with color crayon) by Piero Crommelynck in pencil, and one annotated 'specimen livre' (book specimen) and 'épreuve unique' (unique proof) by Piero Crommelynck in pencil (both working proofs, before the edition of 65 and 10 in Roman numerals), printed by Crommelynck et Dutrou and published by Guy Lévis Mano, Paris, both unframed.
Seen at
Phillips, New York, London, Hong Kong

Related themes

Surrealism, Working Proof, Abstract Art, Mid Century Modern, Renowned Artist, Male Artist, Etching, Printmaking, Limited Edition, Spanish Artist, Vibrant Colors, Playful Mood

More works by Joan Miró

Collected by

Hamilton Selway Gallery, Art Institute of Chicago, Alex Capecelatro, Carolyn Lynx