This 1974 print combines multiple advanced printmaking techniques including liftground etching, drypoint, sandblasted mezzotint, and phototransfer to create a complex layered composition. The title references three geometric and functional objects: a sunglass, a landing net, and a triangle, which likely appear fragmented throughout the work. Rosenquist employs the materiality of BFK Rives roll stock to showcase the interplay between image and surface. The sophisticated technical approach demonstrates the artist's experimental engagement with printmaking processes during the mid 1970s. The juxtaposition of everyday items creates a surreal visual experience characteristic of Rosenquist's Pop Art sensibility.