Jac Leirner's *Corpus delicti* is a conceptually charged work that reflects the Brazilian artist's longstanding interest in accumulation, systems, and the residual traces of everyday life. Leirner is known for assembling cast-off or overlooked materials into sculptural arrangements that blur the boundaries between object and evidence, the personal and the institutional. The title, a legal term referring to the material evidence of a crime, suggests a layered inquiry into presence, absence, and the body of proof left behind.