Becher's black and white photographic documentation of industrial and urban architecture shares the same minimalist, conceptual approach to architectural photography seen in Förg's work. His systematic framing of structures as aesthetic and conceptual objects closely mirrors the unified documentary aesthetic of Alessandria.

Struth's large scale black and white urban street photography captures architectural environments with the same cool, contemplative minimalism present in Förg's Alessandria. His German conceptual photographic tradition and interest in the built environment align directly with this specific work.

Hütte creates meticulously composed photographs of architectural and urban spaces that share the same bold minimalist sensibility and conceptual framing strategy found in Alessandria. His work similarly treats the photograph as a unified aesthetic object rooted in the German conceptual photography tradition.